Six years ago, when we first me up with Hopie and Lily Stockman, the two sisters were just back from Bagru, India, with some of the first block-printed scarves that gave their business its name: see Block Shop’s Wearable Paintings. Patterned in bold geometrics with a neo-hippie vibe, the scarves were shawl sized, and someone early on discovered that they make perfect wall hangings. Soon all of hipster LA seemed to be blanketed in Hopie and Lily’s designs.
The two went on to expand Block Shop’s offerings to woodblock art prints, rugs, table linens, and more, all in bright, linear patterns that they say are inspired by Indian architecture, women of the Bauhaus, and Sonia Delaunay’s painted sets, among other things. But it wasn’t just some catchy prints that helped Block Shop flourish: both sisters are artists, and with a goal of “learning the building blocks of running a socially responsible business,” Hopie earned her MBA from Harvard (where Lily studied painting—it was Lily’s year spent in Jaipur that introduced them to the textile collective they’ve been working with ever since). They’re both now based in LA, where, after outgrowing their initial DTLA cubicle, they’ve set up headquarters in a converted train yard warehouse in Atwater Village that rattles every time a train runs by. Join us for a tour of their setup.
The Secret Shop Above: The pink-scarf-covered entry opens to Block Shop’s retail space, known as the Secret Shop “because we’re located in a warren of studios and are hard to find,” says Hopie (full instructions here). Currently closed—and ordinarily only open on Fridays and Saturdays—it’s “Block Shop’s toe-in-the-water into retail.”
“We started Block Shop with $5,000 when we were grad students, and we’ve sought to grow thoughtfully and deliberately,” says Hopie. “We believe in small-scale production, fair wages for workers, and healthy working conditions. We invest 5 percent of our annual profits in health and empowerment programs in Jaipur.”
Above: Lily and Hopie designed the build-out of the warehouse themselves with a lot of input from friends. And the furnishings are by a Who’s Who of LA creatives, including furniture maker Shin Okada of Waka Waka, who built the display racks.
Block Shop’s signature cotton Scarves are shown here flanked by their wool and cotton Rugs, woven by a family of master weavers outside of Jaipur. Three of Block Shop’s Woodblock Paper Prints hang overhead. (The company is currently donating 10 percent of all scarf and bandana sales to the LA Regional Food Back and LA United Way.)
Above: The Sidewinder Robe hangs next to a display of Table Linens (napkins are $14 each). Above: Curved lines extend from the textile patterns to the walls—”a reference,” says Hopie, “to the archways of old city Jaipur. The Simple Mirror framed in ash is by Kalon Studios. The tendril-like ceramic Table Lamp is by their friend Jonathan Entler of Entler Studios.
The pale celadon on the wall is Cooking Apple Green; the rest of the space is in All White, both by Farrow & Ball.
The Showroom/Conversation Pit Above: The shop opens to a hangout space: “It’s a showroom for people that want it to be, and a conversation pit for everyone else,” says Hopie.
The daybeds—in white by Waka Waka (who also made the armchairs) and in peach by L.O.C. Architects—showcase Block Shop’s forthcoming upholstery fabrics. The coffee table is by Jake Rodehuth-Harrison of their favorite interior design firm, ETC.etera: “the stepped legs are adjustable, and can be turned in or out.” The Purple Alien Floor Lamp is by Entler Design.
Above: Block Shop’s Woodblock Prints hang on the walls. The turned wood sculpture, by Dan John Anderson, is made of California pinon pine that Hopie says “smells incredible.” The overhead Grain Drum Lights are by Brendan Ravenhill: “our sister Phoebe works in his studio.” The Studio Above: The “Block Shop brain” is tucked in the back of the showroom. Lily and Hopie collaborated with Shin Okuda on the table design: “We spent our first five years working on pieces of plywood balanced on sawhorses, so designing this with Shin felt like the next chapter for us.”
The Simon St. James pink light was “inspired by the lights on vanity mirrors from golden age Hollywood sets.” Beyond the pink curtain is the company’s warehouse and fulfillment center.
Above: Lily’s desk has a Breuer Cesca Armchair and a Brendan Ravenhill standing light. “She’s obsessive about keeping work surfaces clean,” says Hopie. “If you have a meeting with Lily, the outcome is usually better if you wipe down your desk first.” And that was pre-pandemic.
The sisters and their team are currently sheltering at home: “Like so many small businesses right now, we’re walking the tightrope of trying to keep sales coming in and cutting costs while prioritizing our staff’s well-being,” says Hopie. They’re also managing to get work done: stay tuned for Block Shop’s bedding collection next.
Designs by some more of our favorite California creatives:
Commune’s New Lighting and Hardware Line Rudy Jude: 12 Simple Ideas to Steal from a Mainer’s Thoughtful Shop in LA A Bright Son: Robert Long Revives His Father’s 1960s Sausalito Lighting Company #TableLinens #LivingRooms #Art&Decoration #Showrooms #LosAngeles